The Orchestral Bassoon
Home
Excerpts
Complete List
Bassoon I
Bassoon II
Contrabassoon
Learn
History
Pedagogy
Recordings
Early 20th Century
French Bassoon
The Project
Acknowledgments
Introduction
Literature Review
Conclusions
Bibliography of Related Literature
Legal Disclaimer
Related Links
Methodology
Creating the Excerpt List
Incorporating History, Theory, & Pedagogy
Determining the Accuracy of Printed Editions
Choice and Purpose of Recordings
Tools, Software, & Reference Books
Fundamentals
Breathing & Embouchure
Articulation
Voicings
Vibrato
Reeds
Contact
The Orchestral Bassoon
Home
/
Excerpts
/
Complete List
Bassoon I
Bassoon II
Contrabassoon
Learn
/
History
Pedagogy
Recordings
/
Early 20th Century
French Bassoon
The Project
/
Acknowledgments
Introduction
Literature Review
Conclusions
Bibliography of Related Literature
Legal Disclaimer
Related Links
Methodology
/
Creating the Excerpt List
Incorporating History, Theory, & Pedagogy
Determining the Accuracy of Printed Editions
Choice and Purpose of Recordings
Tools, Software, & Reference Books
Fundamentals
/
Breathing & Embouchure
Articulation
Voicings
Vibrato
Reeds
Contact
/
/
The Orchestral Bassoon
Tod und Verklärung
, Op. 24
Death and Transfiguration
Richard Strauss
The Orchestral Bassoon
Home
/
Excerpts
/
Complete List
Bassoon I
Bassoon II
Contrabassoon
Learn
/
History
Pedagogy
Recordings
/
Early 20th Century
French Bassoon
The Project
/
Acknowledgments
Introduction
Literature Review
Conclusions
Bibliography of Related Literature
Legal Disclaimer
Related Links
Methodology
/
Creating the Excerpt List
Incorporating History, Theory, & Pedagogy
Determining the Accuracy of Printed Editions
Choice and Purpose of Recordings
Tools, Software, & Reference Books
Fundamentals
/
Breathing & Embouchure
Articulation
Voicings
Vibrato
Reeds
Contact
/
/
< Back to Excerpts
Bibliography
Allegro, molto agitato to 2 bars before Rehearsal F
Bassoon I Part
Contrabassoon Part
Score
7 bars before Rehearsal T to bar 4 of Tempo I
Bassoon I Part
Score